からのシーン Never on Tuesday (1988)
シーン詳細
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このシーンの女優
詳細
別名: Claudia Ann Christian , Claudia Christain, کلودیا کریستیان
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
受賞
受賞:
完全な経歴
Claudia Christian is an American actress born on August 10, 1965, in Glendale, California. Her family moved to Connecticut some afterwards. At age five, she was bitten by the acting bug when she played a Native American in a school play. After her family returned to California, she graduated high school at 16, and set out to start her acting career. She worked in a coffee house and then at a clothing store for two years before landing her first acting role on the soap "Dallas" (1978). In her next appearance, she played Kara in the television movie, Calendar Girl Murders (1984) (TV). Her big break came when she landed the part of "Susan Ivanova" on the science-fiction series "Babylon 5" (1994).
映画について: Never on Tuesday (1988)
制作＆ジャンル
プロデューサー: Producer: Brad Wyman, Elliott Kastner, Frances Fleming, Lionel Wigram, Paul Kimatian, Randolf Turrow
Executive Producer: Cassian Elwes
会社: Cinema Group, Palisades Entertainment
ジャンル: Comedy, Comedy Film, Drama, Lgbt-Related Film
受賞＆類似
受賞: N/A
類似:
キーワード
キーワード: best friend, camera, campfire story, car crash, crazy from the heat, sex comedy, summer, surrealism
ストーリー
Matt and Eddie, two young men from the mid-west, embark on a road trip to California in search of beautiful women on beaches. They drive through the desert, horsing around inside their car until they lose control and collide with another vehicle. The driver of that car is Tuesday, a stunning woman who becomes stranded with them due to the accident. Stranded in the desert without immediate help, Matt and Eddie fantasize about Tuesday while waiting for rescue. Various individuals pass by but few are willing to assist them.
概要
Never on Tuesday (1988) is a comedy-drama directed by Adam Rifkin, set against the backdrop of a road trip from the mid-west to California. The film follows Matt and Eddie as they traverse the desert in pursuit of their ideal summer experience, only to find themselves in an unexpected situation when they collide with Tuesday. With limited sources, details about themes or significance are scarce, but it's clear that the movie is a blend of comedy and surrealism, with elements of sex comedy and LGBT-related content.