からのシーン Videodrome (1983)
シーン詳細
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| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1280x696 | 追加日: 2010-12-06 |
このシーンの女優
詳細
別名: Blondie, Debbie Harry, Angela Tremble, Angela Trimble, Blondie, Deborah Harry
身体的特徴:
経歴
初登場:
最も重要な役:
経歴のハイライト:
受賞
受賞:
完全な経歴
Debbie Harry, born Deborah Ann Harry in 1945, is an American singer, songwriter, and actress. She rose to prominence as the lead vocalist of Blondie, a band renowned for its blend of various genres including punk, pop, and reggae.
映画について: Videodrome (1983)
別タイトル: Vidéodrome, Cuerpos invadidos, Experiência Alucinante, Network of Blood, Videodrom, Videodrome - förgängelsens vapen, Videodrome - tuhon ase, Zonekiller
監督: David Cronenberg
脚本家: David Cronenberg
制作＆ジャンル
プロデューサー: Producer: Pierre David, Victor Solnicki, Claude Héroux
会社: Guardian Trust Company, Filmplan International, Canadian Film Development Corporation
受賞＆類似
受賞:
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キーワード
キーワード: suicide, virtual reality, radio presenter, black market, insanity, paranoia, dystopia, toronto, canada, hallucination, surrealism, sadomasochism, cyberpunk, brainwashing, pittsburgh, pennsylvania, snuff film, pirate broadcast, cautionary, depressed, ridiculous
ストーリー
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
概要
Max Renn, president of UHF station Civic-TV, deals in exploitation fare to keep viewers tuning in. Desperate for a fresh hit, he acquires "Videodrome," a graphic, violent spectacle with sexual overtones. His girlfriend Nicki Brand, drawn by its sadism, volunteers as talent but vanishes after filming. Max's unease grows; Masha, a trusted supplier, warns Videodrome may be real death onscreen. Meanwhile, eccentric professor Brian O'Blivion predicts media's dominance over reality, adding menace to Max's quest for Videodrome's producers. As he investigates Nicki's disappearance, Max uncovers unsettling truths about the broadcast, forcing him to confront its dark influence and his own role in perpetuating it.