シーン詳細
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詳細
別名: دان اولیوِری, دان اولیوری
身体的特徴: N/A
経歴
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Dawn Olivieri (born February 8, 1981) is an American actress perhaps best known for her turn as Lydia in Heroes and Monica Talbot in House of Lies.
She has appeared in the Showtime series House of Lies for 41 episodes, starting in 2012, playing the competitive management consultant and ex-wife of main character Marty Kaan and mother of their son, Roscoe Kaan. She acted as Janice Herveaux in the third season of the HBO series True Blood. She played a reporter and Damon Salvatore's girlfriend Andie Star in the hit CW show The Vampire Diaries. Wrapping up the 4th season on Heroes, she has also completed parts on TBS's My Boys, NBC's Knight Rider, TNT's Trust Me, and SyFy's Stargate: Atlantis, and recurred on CBS's How I Met Your Mother. Olivieri played a lead role in the SyFy movie Hydra, and she is the voice of Pepper Potts in the new Avengers animated series on Disney XD. She appeared in the October 2009 issue of Maxim. Olivieri appeared on HBO's Entourage on September 13, 2009, and hosted a contest on Scripped. She voiced Lucy Kuo in a PlayStation 3 video game, inFamous 2, which was released in June 2011.
As of March 2018, she has a recurring role on SEAL Team as Amy Nelson.
映画について: House of Lies / TV series (2012)
エピソード: Season 1, Episode 1: The Gods of Dangerous Financial Instruments
公開年: 2012
別タイトル: 谎言屋, Casa minciunilor, Gátlástalanok, Hou$e of Lie$, Kłamstwa na sprzedaż, Kuća laži, Melo namai, Обитель лжи, Фабрика лажи, हॉउस ऑफ लाइज़, 謊言堂
監督: Matthew Carnahan
脚本家: Matthew Carnahan
制作＆ジャンル
プロデューサー: Executive Producer: Matthew Carnahan
会社: Crescendo Productions, Matthew Carnahan Circus Products, Showtime Networks
受賞＆類似
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Charming, fast talking Marty Kaan and his crack team of management consultants know how to play the corporate game better than anyone, by using every dirty trick in the book to woo powerful CEOs and close huge deals. In the board rooms, barrooms, and bedrooms of the power elite, corruption is business as usual and everyone's out for themselves first. Nothing is sacred in this scathing, irreverent satire of corporate America today.