からのシーン Big Doll House (1971)
シーン詳細
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経歴
初登場:
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完全な経歴
Roberta Collins (November 17, 1944 – August 16, 2008) was a film and television actress who was known for her attractive physique, blonde, curly hair, and Marilyn Monroe appearance. She starred in many exploitation films, including the prostitute, Clara in Tobe Hooper's Eaten Alive, and the character, Matilda the Hun in the science fiction-comedy film, Death Race 2000.
映画について: Big Doll House (1971)
公開年: 1971
別タイトル: The Big Doll House, Bamboo Dolls House, Cárcel de mujeres, Naarashäkki, Sesso in gabbia, Women's Penitentiary, Women's Penitentiary 3, Women's Penitentiary III
監督: Jack Hill
脚本家: Don Spencer
制作＆ジャンル
プロデューサー: Producer: Cirio H. Santiago, Jane Schaffer
Executive Producer: Eddie Romero, John Ashley, Roger Corman
会社: Four Associates Productions, New World Pictures
ジャンル: Action, Action Film, Drama, Thriller, Women In Prison Film
受賞＆類似
受賞: N/A
類似:
キーワード
キーワード: catfight, escape from prison, exploitation, eye gouging, hard labor, prison, prostitution, rape, sadism, torture, woman in jeopardy, women's prison
ストーリー
In the remote jungles of Manila, 'Big Doll House' follows a group of female prisoners led by the tough-as-nails lesbian leader Grear and including cynical Alcott, heroin-addict Harrad, rebellious Ferina and Bodine, and newcomer Collier. The women endure harsh conditions, cat-fights, free sex, and sadistic torture at the hands of brutal guards like Lucian. When Collier arrives, she immediately catches Lucian's eye. Amidst the daily humiliation, the prisoners devise a daring escape plan with the help of two men. Their escape attempts involve risky maneuvers to overcome the guards and survive the treacherous jungle.
概要
'Big Doll House', released in 1971, is an exploitation thriller directed by Jack Hill, set within the women-in-prison genre. The film explores themes of sadism, torture, and abuse of power, as prisoners face harsh conditions and sexual humiliation at the hands of male guards. Despite its controversial content, 'Big Doll House' was notable for its strong female performances and portrayal of lesbian characters, reflecting societal changes during the early 1970s.