からのシーン Ha-gan (1977)
シーン詳細
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| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 720x544 | 追加日: 2015-06-02 |
このシーンの女優
本名: Melanie Richards Griffith
生年月日: 1957-08-09
出生地: Manhattan, New York City, New York, United States
詳細
別名: Melanie Banderas, Melanie Richards Griffith, Мелані Гріффіт, ملانی گریفیت, مِلانی گریفیت
身体的特徴:
経歴
初登場:
最も重要な役:
経歴のハイライト:
受賞
受賞:
完全な経歴
Melanie Richards Griffith, born August 9, 1957 in New York City to actress Tippi Hedren and advertising executive Peter Griffith, began her acting career in the 1970s with roles in independent thriller films like 'Night Moves' (1975). She gained mainstream success in the mid-1980s, earning a National Society of Film Critics Award for Best Supporting Actress for 'Body Double' (1984), and an Academy Award nomination for Best Actress for 'Working Girl' (1988). In the 1990s, she starred in films like 'Pacific Heights' (1990) and 'Mulholland Falls' (1996), and received Golden Globe nominations for roles in 'Buffalo Girls' (1995) and 'RKO 281' (1999). She also appeared on television series such as 'Nip/Tuck', 'Raising Hope', and 'Hawaii Five-0'. Griffith made her Broadway debut in a revival of 'Chicago' in 2003, and returned to film with roles in 'Autómata' (2014) and 'The Disaster Artist' (2017).
映画について: Ha-gan (1977)
制作&ジャンル
受賞&類似
受賞: N/A
類似:
キーワード
ストーリー
In 'Ha-gan', an elderly man tends to his garden in rural Japan when a young woman appears suddenly, naked and disoriented. The old man mistakes her for a divine being due to her ethereal appearance and takes her into his home. The remainder of the film focuses on their interaction as she recovers from whatever trauma brought her there, and he cares for her.
概要
'Ha-gan', directed by Victor Nord in 1977, is a Drama film set in rural Japan amidst encroaching urbanization. The plot revolves around an elderly gardener who encounters a young woman believed to be a victim of sexual assault and mistook for an angel due to her disheveled yet serene state. While the sources do not provide extensive details about the themes or significance of the film, it can be inferred that 'Ha-gan' explores human connection, empathy, and possibly redemption through care and compassion in the face of traumatic events.