からのシーン Melissa P. (2005)
シーン詳細
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このシーンの女優
詳細
別名: María Valverde Rodríguez, マリア・バルベルデ , マリア・バルベルデ・ロドリゲス, 마리아 발베르데, ماریا والورده
身体的特徴: N/A
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María Valverde Rodríguez (born March 24, 1987) is a Spanish actress.
She was born María Valverde Rodriguez in Carabanchel, Madrid. She was 16 when she got a leading role with Luis Tosar in a Manuel Martín Cuenca movie, La flaqueza del bolchevique, she won the 2003 Goya Award for this role.
She has also taken part in several films, such as Melissa P., a film based on the polemic book One Hundred Strokes of the Brush Before Bed by Melissa Panarello.
María Valverde
映画について: Melissa P. (2005)
別タイトル: Melissa P. - Mit geschlossenen Augen, 100 Escovadas Antes de Dormir, Melissa P. 15 ans
監督: Luca Guadagnino
脚本家: Barbara Alberti, Cristiana Farina, Luca Guadagnino, Melissa Panarello
制作＆ジャンル
プロデューサー: Producer: Claudio Amendola, Francesca Neri, José Ibáñez
Executive Producer: Candice Zaccagnino, Iona de Macedo, Paulo Simões, Peter Shepherd, Roberto Manni
会社: Bess Movie, Pentagrama Films
ジャンル: Drama
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ストーリー
Melissa P., an adolescent girl living with her mother and grandmother in Sicily, has her first sexual experience at a party hosted by a school friend. The encounter with Daniele, a schoolmate, is traumatic as he forces himself on her and later treats her dismissively. Heartbroken but infatuated, Melissa allows Daniele to continue using her for sex. In retaliation, she begins engaging in increasingly wild sexual encounters with him and others, documenting them in a diary. Meanwhile, Melissa's mother tries to connect with her distant daughter, while their smoking-heavy grandmother is sent to a rest home.
概要
Melissa P. (2005) is an Italian-Spanish erotic drama directed by Luca Guadagnino, exploring themes of adolescence and teenage sexuality through the titular character's turbulent journey. The film follows Melissa's first sexual experience, which turns out to be coercive and traumatic, leading her down a path of reckless behavior. While the movie focuses on the narrative sequence of events, it also touches upon parent-child relationships, particularly Melissa's strained connection with her mother.