からのシーン Maîtresse (1976)
シーン詳細
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このシーンの女優
本名: Cécile Pochet
生年月日: N/A
出生地: N/A
詳細
別名: Cecile Pochet
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
完全な経歴
"Meet Cécile Pouzet, a French actress who gained fame not for her face but rather for her distinctive derriere. Unlike another Cécile known for her athletic prowess as an Ironman finisher, this Cécile's claim to fame lies in her cinematic roles. In Barbet Schroeder's directorial debut, 'Maitresse' (1975), she appears as a female guest in the dominatrix's house, kneeling on a chair with her face obscured and her bare backside prominently displayed. A young Gerard Depardieu spanks her while she expresses muffled sounds of pleasure. Schroeder went on to direct notable Hollywood films like 'Barfly' (1987), 'Single White Female' (1992), and the Oscar-nominated 'Reversal of Fortune' (1990). However, 'Maitresse', initially too explicit for UK censors who mandated a five-minute cut, remains one of his earliest and more provocative works. Cécile's other known role is as 'La femme au cinema' in 'Perversions' (1976), later re-released as 'Sex Shock', offering insights into her mysterious cinematic legacy."
映画について: Maîtresse (1976)
別タイトル: Mistress, Господарка, A Dama do Prazer, Любовница-хозяйка
監督: Barbet Schroeder
制作＆ジャンル
受賞＆類似
受賞: N/A
類似:
キーワード
キーワード: bdsm, dominatrix, eroticism, thief, wine
ストーリー
In 'Maîtresse', thief Olivier breaks into the house of Ariane, an affluent woman who turns out to be a dominatrix. Despite their unconventional encounter, they develop feelings for each other and embark on an impulsive romance. Olivier returns periodically to see Ariane, eventually becoming more involved in her profession. However, when he discovers that Ariane has a son, his desire to 'fix' her leads him to attempt to change her lifestyle.
概要
'Maîtresse', directed by Barbet Schroeder in 1976, is a French drama-romance film that explores the complex dynamics of an unconventional relationship between a thief and a dominatrix. The movie challenges societal norms around relationships and sexuality, focusing on the development of an impulsive romance between Olivier and Ariane despite their differing worlds and professions. While not extensively detailed in the provided sources, the film is set amidst themes of eroticism, power dynamics, and redemption.