からのシーン Ulovit miliardare (2009)
シーン詳細
| 時間: 444 秒. | ヌード: yes | 作成者: supers992 |
| 新しいファイルサイズ: Loading... | サウンド: yes | 古いファイルサイズ: 328 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x816 | 追加日: 2020-10-15 |
このシーンの女優
詳細
別名: Ester Janeckova, Ester Janecková
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
完全な経歴
Ester Janecková, known for her role in the 2009 film 'Ulovit miliardare', played a character who was accused of racism, sparking a public outcry and media campaign against her.
詳細
別名: Katka Sedláková, Katerina Sedláková, Katerina Pechová, Kateřina Pechová
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
完全な経歴
Katerina Sedláková starred as 'Zuzana Grossmannova' in the 2009 Czech film 'Ulovit miliardare'. The movie revolves around a fabricated report accusing successful businessman Patrik Grossmann of racism, leading to widespread media scrutiny and public hostility.
映画について: Ulovit miliardare (2009)
別タイトル: Ulovit miliardáře, Milyarderi Avla, Catch the Billionaire
監督: Tomás Vorel
脚本家: Martin Nezval, Tomás Vorel
制作＆ジャンル
キーワード
キーワード: corruption, czechsploitation, deep cleavage, dog, female frontal nudity, female full frontal nudity, female nudity, female topless nudity, large breasts, man swims nude, media, populism, satire, satire comedy, sex scene, strip club, tv watch, woman swims nude
ストーリー
Ulovit miliardare (2009) follows the story of Patrik Grossmann, a successful businessman who becomes the target of a smear campaign after a fabricated accusation of racism surfaces. The media launches an intense attack on him, leading to widespread public opinion turning against him. Despite the hostility, everyone seems eager to take advantage of his situation, hoping to 'catch' a billionaire. The film explores how Grossmann navigates this difficult period as he fights against these baseless accusations.
概要
'Ulovit miliardare', a Czech comedy directed by Tomás Vorel in 2009, is a critique on society's fascination with the wealthy and its willingness to condemn them without sufficient evidence. The film explores themes of media bias, public opinion manipulation, and the human tendency to pile onto those perceived as powerful or successful. Despite its serious underlying messages, it maintains a comedic tone throughout.