からのシーン Il gatto (1977)
シーン詳細
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このシーンの女優
詳細
別名: Dalila Di Lamar, Dalila Di Lamar, Dalila Parker, Dalila Parker
身体的特徴:
経歴
初登場:
最も重要な役:
経歴のハイライト:
完全な経歴
Dalila Di Lazzaro (born 29 January 1953) is an Italian model, actress and writer.
Born in Udine, she started as fashion model and as subject of the most world famous photographers such as Andy Warhol, then she gained attention in tabloid press, as supposed relative of Sophia Loren and even a potential rival in love.
Between the mid-70's and the early 80's Di Lazzaro worked in notable films with directors such as Alberto Lattuada, Luigi Comencini, Florestano Vancini and Jacques Deray, then focused primarily on television. In 1983 she refused the role of Domino, later played by Kim Basinger, in Never Say Never Again.
Her last participation in a movie is on 2013 : L'Ultima ruota del carro, movie of the director: Giovanni Veronesi
Unknown Girlsの詳細な経歴はありません。
映画について: Il gatto (1977)
別タイトル: ¿Quién desaloja a esta gente?, Wie doodde de kat?, Qui a tué le chat?, O gatos... honei tin oura tou pantou, A macska rejtélyes halála, Kot, Aqui Há Gato, La casa de los desmadres, Der Kater lässt das Mausen nicht, The Cat
監督: Luigi Comencini
制作＆ジャンル
プロデューサー: Producer: Romano Cardarelli, Sergio Leone
ジャンル: Comedy, Comedy Film
受賞＆類似
受賞:
類似: N/A
キーワード
キーワード: 1970s, age difference, bare chested male, brother sister relationship, cat, condominium, dead body in a car trunk, eating paper, giallo, italy, killer, madame, murder, nudity, older man younger woman relationship, police, priest, rent, rent money, wolf trap
ストーリー
The story of 'Il gatto' (1977), directed by Luigi Comencini, revolves around a cat that brings together two separated halves of an old photograph which shows the lovers' happiness during their honeymoon. The plot focuses on how this cat, named Micio, influences and connects people's lives.
概要
'Il gatto', released in 1977, is a comedy film directed by Luigi Comencini. The movie centers around a cat named Micio who becomes the catalyst for reconnecting separated lovers through an old photograph. Despite its comedic genre, the film's plot seems to be more focused on the symbolism and influence of Micio as opposed to laugh-out-loud moments.