からのシーン Somnambuul (2003)
シーン詳細
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このシーンの女優
詳細
別名: Katariina Lauk, Katariina Lauk-Tamm, Katariina Sammul, Катарийна Лаук, Катарийна Лаук-Тамм
身体的特徴: N/A
経歴
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完全な経歴
Katariina Unt (born Katariina Lauk; December 6, 1971) is an Estonian stage, television, and film actress.
Katariina Unt was born in Tallinn. Her mother is interior decorator Malle Lauk and her father is artist Tõnu Lauk, who works mainly with metals. The youngest of four siblings, she grew up mostly in Pärnu. She graduated in 1990 from Pärnu Hansa Secondary School, then completed her studies in Tallinn at the Estonian Academy of Music and Theatre Drama School in 1994 (now, the Estonian Academy of Music and Theatre). Her graduating classmates included Mait Malmsten, Ain Mäeots, Liisa Aibel, Ago Anderson, Indrek Sammul, and Andres Puustusmaa.
Between 1994 and 2001, she was engaged at the Tallinn City Theatre. Following her departure, she worked for a while as a freelance actor, performing at the Estonia Theatre, Endla Theatre and the Kuressaare Town Theatre, among others. In 2007, she joined the VAT Theatre in Tallinn, where she still currently performs. Among her more memorable roles in theater were in works by: William Shakespeare, Anton Chekhov, Madis Kõiv, Molière, Tadeusz Różewicz, Luchino Visconti, Tom Stoppard, Andrus Kivirähk, August Kitzberg and Friedrich Reinhold Kreutzwald, among many others.
Katariina Unt made her film debut as Mari in the 1994 Jaan Kolberg-directed film Jüri Rumm. This was followed by a recurring role on the popular ETV drama series Õnne 13. In 2013, she appeared in the Kanal 2 paranormal-thriller television series Süvahavva. Her first large film role was that of Eetla in the 2003 Sulev Keedus-directed war drama Somnambuul (English: Somnambulance). Other popular roles were in films such as Katrin Laur's Ruudi (2006), Veiko Õunpuu's Sügisball (Autumn Ball, 2007), Sulev Keedus' Kirjad Inglile (Letters to Angel, 2011) and Rainer Sarnet's Idioot (The Idiot, 2011), a starring role as Viivi in the 2016 Mart Kivastik directed romantic drama Õnn tuleb magades opposite actor Ivo Uukkivi and in Rainer Sarnet's November, 2017, based on the novel by Andrus Kivirähk. In many of her earlier film and television appearances, she is credited as Katariina Lauk (her birthname) and Katariina Lauk-Tamm (while married to Raivo E. Tamm).
In 1993 she married actor Indrek Sammul, the couple divorced in 1995. In 1997, she wed actor Raivo E. Tamm, however, the two would divorce in 2003. Unt and Tamm have a daughter. In 2011, she remarried once again, taking her husband's surname Unt.
映画について: Somnambuul (2003)
別タイトル: Somnambulance, Unissakävelijä, Somnambulen, Somnambuliczka, Сомнамбула
監督: Sulev Keedus
脚本家: Madis Kõiv, Sulev Keedus
制作＆ジャンル
受賞＆類似
受賞:
類似: N/A
キーワード
キーワード: daughter nude in front of father, daughter undresses in front of father, father and daughter living together, father daughter relationship, father seeing daughter naked, female full frontal nudity, female rear nudity, female star appears nude, fighting over a gun, hiding in a barn, horse drawn wagon, injured man, isolation, lighthouse keeper, pitchfork, russian invasion, russian soldiers, sexual tension, side by side shotgun, world war two
ストーリー
In Autumn of 1944 in Estonia, during World War II, Eetla leaves her homeland with thousands of others but decides not to board the last boat to safety. She returns to her seaside village and the lighthouse kept by her father Gottfrid. Her unexpected return is a mystery even to herself. Eetla finds solace in recounting her dreams to her father or a young war refugee doctor named Kasper, hoping to maintain a balance between her past and uncertain future. She fears losing this balance and seeks refuge in her dreams as a way to cope with reality.
概要
'Somnambuul' is a psychological drama directed by Sulev Keedus, released in 2003. The film revolves around Eetla, a young woman who defies the approaching war frontline and returns to her Estonian village during World War II. Set against the backdrop of mass evacuation, 'Somnambuul' explores themes of fear, anxiety about the future, and the human psyche's response to uncertainty. Eetla's self-recognition and psychological journey are central to the narrative, with dreams serving as a coping mechanism for her reality.