女優: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

映画タイトル: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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からのシーン Coming Apart (1969)

シーン詳細

時間: 3144 秒.ヌード: yes作成者: supers992
新しいファイルサイズ: Loading...サウンド: yes古いファイルサイズ: 1,080 mb
ファイル形式: AOMedia Video 1 (WebM/AV1)解像度: 1808x1080追加日: 2025-11-23

このシーンの女優

プレビュー画像 Lois Markle
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本名: N/A

生年月日: 1929-09-27

出生地: New York, New York, United States

経歴

初登場:

  • Coming Apart (1969) として Elaine

最も重要な役:

  • Breaking Up (1978) として Toby
  • Coming Apart (1969) として Elaine
  • Heaven, I Suppose (2023) として Mourner
  • The Sporting Club (1971) として Sheilah
  • Torn Between Two Lovers (1979) として Norma Conti
  • Adam Bloom (2020) として Aunt Sara

経歴のハイライト:

  • Breaking Up (1978)
  • Coming Apart (1969)
  • Heaven, I Suppose (2023)
  • The Sporting Club (1971)
  • Torn Between Two Lovers (1979)
  • Adam Bloom (2020)

完全な経歴

Lois Markle was born on September 27, 1929 in New York, New York, USA. She is an actress, known for The Multipath Adventures of Superman (2000) , The Sporting Club (1971) and The Doctors (1963) .

プレビュー画像 Sally Kirkland
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本名: Sally Kirkland

生年月日: 1941-10-31

出生地: New York City, New York, United States

詳細

別名: سالی کرکلند

身体的特徴:

  • Eye Color: brown
  • Hair Color: blond hair

経歴

初登場:

  • Crack in the Mirror (1960) として Bit Part (uncredited)

最も重要な役:

  • 80 for Brady (2023) として Ida
  • JFK (1991) として Rose Cheramie
  • The Way We Were (1973) として Pony Dunbar
  • The New Hands (2023) として May
  • Here We Are (2023) として Sherri
  • The Player (1992) として Sally Kirkland
  • EDtv (1999) として Jeanette
  • Fatal Games (1984) として Diane Paine
  • Wish You Were Dead (2002) として Penelope Wilson
  • Extinction (2017) として Rose

経歴のハイライト:

  • 80 for Brady (2023)
  • JFK (1991)
  • The Way We Were (1973)
  • The New Hands (2023)
  • Here We Are (2023)
  • The Player (1992)
  • EDtv (1999)
  • Fatal Games (1984)
  • Wish You Were Dead (2002)
  • Extinction (2017)

受賞

受賞:

  • Golden Globe Award for Best Actress – Motion Picture Drama (1988)

完全な経歴

Sally Kirkland, born October 31, 1941, is an American actress with a career spanning over six decades, appearing in more than 250 film and television productions. Born to fashion editor Sally Kirkland, she began her career in New York's avant-garde theater scene during the 1960s and later became a member of Andy Warhol's The Factory. Kirkland gained critical acclaim for her role in 'Anna' (1987), earning an Academy Award nomination for Best Actress, a Golden Globe win, and recognition from the Los Angeles Film Critics Association and Independent Spirit Awards. She also received a second Golden Globe nomination for 'The Haunted' (1991). Kirkland is known for her roles in films such as 'Cold Feet' (1989), 'Best of the Best' (1989), 'JFK' (1991), and 'Bruce Almighty' (2003), including 'In the Heat of Passion' (1992).

映画について: Coming Apart (1969)

Poster for Coming Apart (1969)
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公開年: 1969

国: United States

別タイトル: N/A

監督: Milton Moses Ginsberg

脚本家: Milton Moses Ginsberg

制作&ジャンル

プロデューサー: Producer: Israel Davis, Andrew J. Kuehn

会社: Kaleidoscope Films

ジャンル: Avant-Garde, Drama, Erotica

受賞&類似

受賞: N/A

類似:

  • The Silence of the Lambs (1991)
  • Rain Man (1988)
  • Danika (2006)
  • Hitler in Hollywood (2011)
  • Last Days of Emanuel Raposo (2021)

キーワード

ストーリー

Joe, a psychiatrist, secretly films his female patients as an experiment while simultaneously struggling with his own mental breakdown. He becomes obsessed with a former lover and aims to document 'an experiment in contemporary sexual aberration'. As he records his volatile encounters with his patients, Joe's own psyche begins to unravel, leading him to push both himself and his patients to their limits.

概要

'Coming Apart' (1969) is an avant-garde exploration of mental health, sexuality, and cinematic form directed by Milton Moses Ginsberg. Starring Rip Torn as Joe, a psychiatrist on the brink of madness, the film presents itself as a pseudo-documentary or mockumentary, with Joe secretly recording his sessions with female patients. The movie delves into dark eroticism and self-referential cinematic form, as Joe's experiment leads him to confront his own mental breakdown while documenting sexually charged encounters.