シーン詳細
| 時間: 257 秒. | ヌード: yes | 作成者: zorg |
| 新しいファイルサイズ: Loading... | サウンド: yes | 古いファイルサイズ: 159 mb |
| ファイル形式: AOMedia Video 1 (WebM/AV1) | 解像度: 1920x804 | 追加日: 2026-02-01 |
このシーンの女優
詳細
別名: Sofia Gala, Sofia Gala Castiglione, Sofia Gala, Sofía Castiglione, Sofía Gala Castiglione, Sofia Castiglione, Sofía Castiglione, Sofía Gala, Sofía Gala Castaglione
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
完全な経歴
Sofía Gala, born Sofía Gala Castiglione on January 24, 1987, in Buenos Aires, Argentina, is an actress known for her roles in 'Los Roldán' (2004), 'Tetro' (2009), and 'Usurpateur' (2012). She married actor Julián Della Paolera on June 11, 2012, and they have one child together.
Unknown Girlの詳細な経歴はありません。
別タイトル: N/A
脚本家: Lucas Vivo García Lagos, Marcelo Slavich, Walter Slavich
制作＆ジャンル
プロデューサー: producer: Agustin Bossi, Pol Bossi, Roberto Vivo
line producer: Ariel Checcio
supervising producer: Carolina Gaudenzi, Martin Rago
executive producer: Maximiliano Lasansky
executive producer / producer: Esteban Mentasti, Hori Mentasti
associate producer: Lucas Vivo García Lagos
キーワード
キーワード: bloody violence, former boxer, four word title, graphic violence, lottery ticket, mcguffin, prostitute, prostitution, prostitution ring, sex trafficking
ストーリー
Franklin follows Correa, a retired boxer who worked for Bernal, a violent mobster and his former manager. After serving time in prison for a murder he didn't commit due to his loyalty, Correa decides to leave his criminal past behind and starts a relationship with Rosa, a prostitute victimized by Bernal's trafficking network and the corrupt police. They try to escape from Bernal's control while being pursued by unscrupulous promoters, criminals, and law enforcement officials all seeking a winning lottery ticket that they believe Correa possesses.
概要
Franklin is a crime thriller set in Argentina, directed by Lucas Vivo García Lagos. It explores the complex world of organized crime, police corruption, and human trafficking through the story of an ex-boxer trying to redeem himself and his relationship with a woman victimized by these systems. The film blurs the lines between right and wrong, making it difficult for characters to escape their past mistakes.