シーン詳細
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このシーンの女優
詳細
別名: Elodie Bouchez
身体的特徴: N/A
経歴
初登場:
最も重要な役:
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受賞
受賞:
完全な経歴
Élodie Bouchez is a highly acclaimed French actress known for her natural and poignant performances in both French and international cinema. Born in 1973 in Montreuil, France, she began her acting career at age 16 in the film Stan the Flasher, directed by Serge Gainsbourg. Her breakthrough came with the critically acclaimed film Wild Reeds (1994), for which she won the César Award for Most Promising Actress.
Bouchez achieved international recognition for her starring role in the 1998 film The Dreamlife of Angels, which earned her the Best Actress award at the Cannes Film Festival and a César Award for Best Actress. She has since appeared in a diverse range of films and television series, including guest roles in the American shows Alias and The L Word. Her career highlights also include roles in films such as CQ (2001) and the 2010 film Happy Few, in which she played one of the lead characters, Teri. Bouchez continues to be a prominent figure in French cinema, earning further nominations and awards throughout her versatile career.
別タイトル: Don, t Let Me Die on a Sunday, Den lille død, No quiero morir un domingo, Låt mig inte dö på en söndag
脚本家: Didier Le Pêcheur
制作＆ジャンル
受賞＆類似
受賞: N/A
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キーワード
キーワード: dominatrix
ストーリー
The movie 'J'aimerais pas crever un dimanche' (1998) follows Ben, a morgue worker whose wife left him and who explores alternative sexualities. The film's central event occurs when Teresa, a woman brought to the morgue after an ecstasy overdose, comes back to life in Ben's arms. This resurrection serves as the catalyst for the story, which revolves around the interactions between Ben, Teresa, and other characters such as Boris (an orgy fan), Abdel (who has no emotional attachments), Ducon (who wants to kill himself), and Nico (who is dying of AIDS). The narrative explores their relationships and experiences against the backdrop of a social study of 1990s France with heavy references to sex and death.
概要
Directed by Didier Le Pêcheur, 'J'aimerais pas crever un dimanche' is a dramatic exploration of 1990s French society. The film is notable for its candid portrayal of alternative lifestyles and the societal norms of the time. Centered around resurrection as a metaphor, it delves into themes of life, death, and the human connections that bind us. Although details about some characters' storylines are limited in available sources, the core narrative revolves around Ben's encounter with Teresa and their subsequent interactions within a diverse social circle.