からのシーン Coming In (1997)
シーン詳細
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このシーンの女優
詳細
別名: Франка Потенте, Franke Potente, フランカ・ポテンテ, فرانکا پوتنته, فرانکا پوتهنته
身体的特徴: N/A
経歴
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受賞
受賞:
完全な経歴
Franka Potente is a German film actress and singer. She was born on July 22, 1974 in Münster North Rhine-Westphalia and raised in nearby Dülmen. She first appeared in the comedy "After Five in the Forest Primeval" (1995) and gained critical recognition in the action thriller "Lola rennt" (released in English as "Run Lola Run", 1998). Potente received Germany's highest film and television awards for her performances in "Run Lola Run" and "Opernball".
After half a decade of critically acclaimed roles in German films, Potente gained Hollywood's attention by playing the role of Barbara Buckley in Blow (2001) and the female lead with Matt Damon in "The Bourne Identity" (2002). In 2006, she starred with Eric Bana in the Australian film "Romulus, My Father", for which she was nominated for an Australian Film Industry Award for Best Lead Actress. Also in 2006, she wrote and directed Der die Tollkirsche ausgräbt, a silent comedy. She has also appeared in several American television series including, "The Shield" in 2007, "House M.D." in 2009 and "Psych" in 2010. As of 2011, she played Hilda in a BBC drama "The Sinking of the Laconia". When not working on location, Potente lives in Berlin.
映画について: Coming In (1997)
制作＆ジャンル
受賞＆類似
受賞: N/A
類似:
キーワード
キーワード: coming out, male homosexuality
ストーリー
Lorenz, a gay copywriter in a happy relationship with his boss Adrian, meets Nina, a newly single secretary whose husband Kai has left her for another man. Lorenz unexpectedly develops feelings for Nina, causing emotional turmoil as he struggles to keep his new attraction hidden from Adrian. As Lorenz navigates his complex emotions and shifting loyalties, he must confront the chaos that his unexpected romantic predicament has created.
概要
Coming In is a 1997 German comedy-drama television movie directed by Thomas Bahmann. The story revolves around Lorenz, a gay man navigating a society that expects him to conform to traditional gender norms and relationships. When Lorenz finds himself drawn to Nina, a heterosexual woman, he must grapple with his shifting identity and the expectations placed upon him by both his community and society at large. The film explores themes of sexual fluidity, self-discovery, and the complexities of modern love.