からのシーン La Piscine (1969)
シーン詳細
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このシーンの女優
詳細
別名: Romy Schneider-Albach, Rosemarie Magdalena Albach, رومي شنايدر, רומי שניידר, ロミー・シュナイダー, რომი შნაიდერი, 로미 슈나이더, Ро́ми Шна́йдер, Ромі Шнайдер, Роми Шнајдер, 罗密·施奈德, رومی اشنایدر
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
受賞
受賞:
完全な経歴
Romy Schneider (born Rosemarie Magdalena Albach, September 23, 1938 – May 29, 1982) was a German-French actress. She began her career in the German heimatfilm genre in the early 1950s when she was 15. From 1955 to 1957, she played the central character of Empress Elisabeth of Austria in the Austrian Sissi trilogy, and later reprised the role in a more mature version in Visconti's Ludwig (1973). Schneider moved to France, where she made successful and critically acclaimed films with some of the most notable film directors of that era.
映画について: La Piscine (1969)
別タイトル: The Swimming Pool, La piscina, The Sinners
監督: Jacques Deray
制作&ジャンル
プロデューサー: Producer: Gérard Beytout, René Pignières
会社: Société Nouvelle de Cinématographie, Tritone Cinematografica
受賞&類似
受賞: N/A
類似:
キーワード
キーワード: husband wife relationship, southern france, relationship problems, ex-husband ex-wife relationship
ストーリー
La Piscine begins with lovers Marianne and Jean-Paul spending their vacation in a villa near St.-Tropez. The villa's swimming pool becomes the central setting for much of the film's action. When Marianne invites her former lover Harry and his teenage daughter Penelope to stay, tension begins to rise among the adults. Jean-Paul becomes increasingly jealous as he grows attracted to Penelope, leading him to seduce her. This act sets off a chain of events with deadly consequences.
概要
La Piscine is a 1969 French drama-romance film directed by Jacques Deray. Set in the glamorous backdrop of St.-Tropez, the film centers around a love rectangle involving Marianne, Jean-Paul, Marianne's former lover Harry, and his teenage daughter Penelope. The story explores themes of jealousy, betrayal, and the dangerous games people play with each other. The villa's swimming pool serves as both a literal and metaphorical focal point for these tensions to boil over.