シーン詳細
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このシーンの女優
詳細
別名: Virginie Fernández, ヴィルジニー・ルドワイヤン, Βιρζινί Λεντουαγέν, Βιρζινί Φερνάντεζ, ویرژینی لدواین
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
受賞
受賞:
完全な経歴
Virginie Ledoyen (born Virginie Fernandez; 15 November 1976) is a French actress. At the age of 2, she was already shooting advertisements for television. At 9, she started going to the École des Enfants du Spectacle, and made her film debut at 10 in Les exploits d'un jeune Don Juan (1986). She was then nominated for the César (the French equivalent of an Oscar) for most promising actress in 1993, 1994 and 1995.
Her international breakthrough was in 1999, when she became ambassador for the cosmetics L'Oréal; this led to her casting in The Beach (2000), with Leonardo DiCaprio.
別タイトル: Jeanne and the Perfect Guy
制作&ジャンル
プロデューサー: Producer: Pauline Duhault, Cyriac Auriol
会社: Canal+, Centre national du cinéma et de l'image animée (CNC), Les Films du Requin
ジャンル: Drama, Musical, Musical Film, Romance
受賞&類似
受賞:
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キーワード
キーワード: love, activism, hospital visit
ストーリー
Jeanne, a woman with a seemingly insatiable appetite for love, meets Olivier on a subway during an impromptu encounter. She feels a connection unlike any other and finds herself deeply in love. However, Olivier reveals to Jeanne that he has AIDS, which he contracted through heroin use. Despite this revelation, Jeanne's feelings remain unchanged, and she wants to care for him. The two share a common friend who is an AIDS activist but are unaware of it. Olivier becomes severely ill, and Jeanne confesses her love and infidelity to him before they part ways. She returns to the hospital to find that he has left with his parents without leaving a forwarding address. Much time passes, and Jeanne learns from a mutual acquaintance on the subway that Olivier has passed away.
概要
Directed by Jacques Martineau and Olivier Ducastel, 'Jeanne et le garçon formidable' (1998) is a French drama-romance with musical elements. The film explores themes of love, loss, and societal indifference towards HIV/AIDS, particularly among marginalized communities like heroin users. It follows Jeanne's journey as she navigates her feelings for Olivier while grappling with the reality of his illness and eventual death. The story also touches on broader social issues such as economic dependency on credit cards and class divisions between immigrant workers, soldiers, and the upper class.