からのシーン Au Pair Girls (1972)
シーン詳細
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このシーンの女優
詳細
別名: Me Me Lay, 咪咪莱
身体的特徴: N/A
経歴
初登場:
最も重要な役:
経歴のハイライト:
完全な経歴
Me Me Lai, sometimes billed as Me Me Lay, is an ex-actress born in Burma in 1952, to a Burmese mother and an English father. She moved to England in her teens, where she soon started her acting career, at first in television series like Paul Temple and Jason King. Soon, she made the transition to acting in movies, starting with the 1971 horror movie Crucible of Terror, soon followed by 1972's Au Pair Girls.
Lai came into her own during the era of Italian cannibal films, playing lead roles in two genre-defining movies: Il Paese del Sesso Selvaggio (1972) by Umberto Lenzi, and Ultimo Mondo Cannibale (1977) by Ruggero Deodato, in which her character is graphically consumed by a tribe of cannibals. Additionally, she also had a part in Mangiati Vivi (1980), again by Umberto Lenzi, in which her death scene from Ultimo Mondo Cannibale was re-used. Outside the cannibal genre, she had a role in Blake Edwards's 1978 comedy Revenge of the Pink Panther.
Me Me Lai also was co-hostess of British game shows The Golden Shot and Sale of the Century,and appeared on the 1970s Yorkshire Television programme Origami, with Robert Harbin.
Her last movie was Lars von Trier's The Element of Crime in 1984.
映画について: Au Pair Girls (1972)
公開年: 1972
別タイトル: Mother's Helpers, Au pair - tytöt, Ypiretries kai kati allo sto krevvati, Le femmine sono nate per fare l'amore, The Young Playmates, Au-Pair-Girls
監督: Val Guest
制作＆ジャンル
プロデューサー: Producer: Kenneth Shipman, Guido Coen
受賞＆類似
受賞: N/A
類似:
キーワード
キーワード: sexploitation, sex comedy
ストーリー
Four sexy young foreign girls come to England as au pairs and quickly become quite intimate with their employers, host families, and just about everyone else they encounter.
概要
Four cosmopolitan young women trade their native Europe and Asia for the green fields of England, arriving as au pairs eager to immerse themselves in new culture and lifestyle. However, they swiftly discover that beneath the stiff upper lip lies a pulsating heart. Before long, these seductive strangers are weaving intimacy into the fabric of their host families' lives, turning every encounter into an opportunity for connection, often blurring the lines between duty and desire.