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映画タイトル: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Portrait of Chantal Akerman

Chantal Akerman

本名: Chantal Anne Akerman

生年月日: 1950-06-06

出生地: Etterbeek, Belgium

詳細

別名: Chantal Anne Akerman, Chantal Ackerman, 샹탈 아커만, 샹탈 아케르만, 샹탈 애커만

身体的特徴: N/A

経歴

初登場:

  • Examen d'entrée INSAS (1967) として

最も重要な役:

  • Blow Up My Town (1968) として The girl
  • Seven Women, Seven Sins (1986) として Woman (segment Portrait d'une Paresseuse)
  • Je Tu Il Elle (1974) として Julie
  • News from Home (1977) として Narrator (voice)
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976) として Neighbor (voice) (uncredited)
  • The Room (1972) として Self - On her bed
  • She Spent So Many Hours Under the Sun Lamps (1985) として
  • Pictures of Europe (1990) として Self
  • Chantal Akerman, From Here (2010) として Self
  • Guest (2011) として Self

経歴のハイライト:

  • Blow Up My Town (1968)
  • Seven Women, Seven Sins (1986)
  • Je Tu Il Elle (1974)
  • News from Home (1977)
  • Jeanne Dielman, 23, quai du Commerce, 1080 Bruxelles (1976)
  • The Room (1972)
  • She Spent So Many Hours Under the Sun Lamps (1985)
  • Pictures of Europe (1990)
  • Chantal Akerman, From Here (2010)
  • Guest (2011)

受賞

受賞:

  • Commander of the Order of Leopold (2004)

完全な経歴

Chantal Anne Akerman (June 6, 1950 – October 5, 2015) was a Belgian film director, artist and professor of film at the City College of New York. Her best-known film is Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles (1975).

Despite being categorised as such by others, Akerman frequently distanced herself from the feminist label, explaining, "when people say there is a feminist film language, it is like saying there is only one way for women to express themselves". Instead, Akerman acknowledged that her cinematic approach took inspiration from the writings of Gilles Deleuze and Felix Guattari, as well as from filmmakers Michael Snow and Jean-Luc Godard.

Many directors have cited Akerman's directorial style as an influence on their work. Kelly Reichardt, Gus Van Sant, and Sofia Coppola have noted their exploration of filming in real time as a tribute to Akerman.

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Je tu il elle(1974)1 SCENE
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